It’s official! Korean Actor Ryu Kyung Soo to Star in Comedy Film ‘Hit Hit Hit’

Ryu Kyung Soo

Ryu Kyung Soo, known for his amazing skills and roles in popular dramas like “Itaewon class” and “The tail of the nine tailed” is now going to take another test in the comedy film “Hit Hit Hit”. 

This intriguing venture vows to carry both chuckling and activity to the screen, and Ryu’s contribution has previously started critical interest among fans and film lovers.

The Plot

“Hit Hit Hit” is a comedic pursuit film that follows the journey of a wannabe hip-hop star as he seeks thief who took his song, prompting a progression of unforeseen and clever occurrences. 

The film combines components of parody, activity, and show, making a remarkable and engaging storyline that charms the crowds.

Ryu Kyung Soo’s Role: Won Yi

In “Hit Hit Hit,” Ryu Kyung Soo will play the character of Won Yi who is a part time hip-hop performer who showcases his ability before a sea-food restaurant  by the ocean. His character is depicted as very narcissistic and self-absorbed. 

Notwithstanding, his process takes a turn when he chooses to pursue the thief who took his song. This journey turns into an extraordinary encounter for Won Yi, as he finds out about the world and himself through the bedlam and humorousness.

Ryu Kyung Soo’s Acting Profession

Ryu Kyung Soo has gained so much admiration and love from his fans and viewers with his past roles in “The Bequeathed,” “Tale of the Nine Tailed 1938,”  “Glitch,” “Hellbound,” “Lovestruck in the City,” “Itaewon Class,” and “Confession.” His character of Choi Seung Kwon in “Itaewon Class,” has gained a lot of recognition across the globe. 

Ryu Kyung Soo Character in  “Hit Hit Hit” and the Theme

Won Yi’s personality is supposed to be both clever and inspiring. Beginning as a narcissistic person, Won Yi’s encounters throughout the film will lead him to a more profound comprehension of life and people around him. 

This character improvement is a focal subject of the film, giving a rich story that offsets satire with significant snapshots of development and self-revelation.

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